Відео

天然素材のロシアンルーレット♩

Dawntrail you better show some good themes like this...

众所周知，ff8是一款打牌游戏

满满的紧张感

Incredibly beautiful piece played by a master

what that soldier doing?

マイケルクエストを思い出すなぁ 平成の置き土産😢

16:9 did justice by sampling this.

The acoustic guitar harmonics arrangement at 36:51 is the reason i keep coming back to this mix. It is unreal. Honestly this whole mix is incredible. So many great transitions that just work seamlessly. This is pure ear candy for any square music enjoyer!

When you and your bros get ambushed by monsters in the forest, but a bunch of weird faeries show up to make you feel super strong so you know it's gonna be alright

私たちと一緒に踊りましょ！

FFVII has my favorite FF story. Ultimecia is so tragic and mysterious.

I love the song Due Recompense from the FF7 remake. Cloud had to operate machines to help Aerith pass obstacles, and Due Recompense is the remix version of this song. It gave me a fuzzy and affectionate vibe between Cloud and Aerith. I love it so much! ❤❤❤

I recorded the song on my cassette tape in 1992...

もう二度と戻らない、やすらぎの日々。クロノトリガーは自分にとっても特別なゲームだったなあと改めて思う。 発売日も、1995年3月11日という個人的に誕生日の前日というめぐり合わせ。スーファミのソフトをいつも なんだかんだ言いながら買ってくれた父も、もういない。もう二度と戻らない、やすらぎの日々。

🌿💐🌷🌿🌺🌸🌹🪴🌼🎧🎧🎧☺️☺️😌😌😌☺️☺️🎧🎧🎧🌿🪴🌹💐💐🌸🌸🌺🌺🌷🌼 Bei ricordi quando giocavamo spensierati! (Io continuo tutt’ora, non ho mai abbandonato FF) 🥺🥺🥺🥺🥺🥺🥺🥺🥺🥺

久々に聴きたくて、聴いたらトリハダ立ちまくり😅 6のセッツァーもそうだけど、FFって空をイメージさせるキャラの曲って漏れなくカッコいい♪ 「燻っている思いや迷いを、もう一度飛び立つ決心に変えた」ってのがひしひしと伝わってくるから大好き！

２０２４年6月にも聴いてる

Awesome [Video Soundtrack] Cleyra Settlement [FINAL FANTASY IX] Video.

Awesome [Video Soundtrack] Cleyra's Trunk [FINAL FANTASY IX] Video.

Awesome [Video Soundtrack] Gargan Roo [FINAL FANTASY IX] Video.

Awesome [Video Soundtrack] Garnet's Theme [FINAL FANTASY IX] Video.

Awesome [Video Soundtrack] Wicked Melody [FINAL FANTASY IX] Video.

1:40 Freya "Ah, the ceremony from the time when Burmecia and Cleyra were one." Thank you for that brief, pointless bit of "Rat people split up" lore that is never fully explained. Honestly, instead of that pointless backstory, the writers should have written Cleyra as simply a sacred pilgrimage site made by the rats, at one with nature, kind of like Mt. Fuji or Mt. Everest, with connections to the summoner tribe. (As the summoners used to live in Alexandria on the Mist Continent several centuries ago, before being forced to move to Madain Sari on the Outer Continent) Maybe the summoners showed something special about Cleyra to the rats and it became a pilgrimage site, and it also could have been great foreshadowing and lore buildup for Gaia's and Terra's crystals and lifestream. It could basically be like the IX version of Cosmo Canyon from FFVII. There could even be contrasts between it and the Iifa Tree. Freya "I understand." "Zidane, I met with utter failure when trying to defend Burmecia..." "And I will not allow Brahne to exert her will upon us any longer!" Zidane "You've changed, Freya." "I didn't think you were so strong when I first met you." This is what I hate too. Zidane so pathetically says: "Freya, you have changed". You start to think that we are talking about some kind of "character development" here (as the writers are trying to forcefully imply), and he continues: "well, you are sooooo strong." Stop the pretentiousness. Freya "I could not bring peace to Burmecia and thus fulfill Sir Fratley's wish." "But now, all I can do is protect this beautiful place." What about the reinforcements from Lindblum, the airship brigade that Cid was supposed to send? Which we never saw in Burmecia. (Or will in Cleyra) Zidane "Yeah, protecting Cleyra is the best thing you can do for yourself." Freya "Doing so will help me." Thank you for pointing out the obvious. Dumb lines like these are clearly just for padding.

We never really get that much of an interesting and interconnected lore with Cleyra. It's just there so that it can get blown up later (all thanks to Garnet's stupidity), same thing with Burmecia… minus the exploding part. 1:05 [Vivi is outside of the inn, and approaches 4 rats (2 adults, 2 children), the same four which were seen before entering the Palace Area in Burmecia] "Look!" "Pointy-headed devil!" Burmecian Refugee Learie "D-Don't come any closer!" Burmecian Soldier Dan "You demon! Leave my family alone!" Why the heck is this scene even taking place when Freya personally vouched for Vivi a little earlier back in Burmecia, in front of that very same rat person, Dan? (Yes, that is the same person that Freya talked to in Burmecia and defended Vivi in front of him, yet now Dan seems to have completely forgotten all of that) [Vivi enters the inn, while Burmecian Soldier Dan chases him] Burmecian Soldier Dan "You bastard! You killed my father!" Burmecian Refugee Learie "Bastard!" [Each of their two children shout "Bastard!" as well] In this translation, this remark looks somehow especially strange, way to let your children learn a new swear word and have a potty mouth, Dan and Learie. Night Oracle Donnegan "Well, well. A bit touchy today, aren't we?" Burmecian Soldier Dan "He's one of the demons that sacked Burmecia!" Vivi "I-I haven't hurt anyone." And that's all we will get of that subplot, which, as I've already explained above, was completely pointless.

There is also a deleted scene that you can see on UA-cam (look up "FFIX Deleted Scenes") where Freya meets the King of Burmecia and the High Priest of Cleyra, with the King apologizing to Freya and asking her to forgive him for something. But it is never explained what this thing is. This is another interesting context that is cut and wasted.

よちよち歩き

I have to ask, what made the sandstorm subside enough so that the party could pass through it? Because if you try to go to Cleyra before completing Burmecia first, it tells you that the sandstorm is too strong, even though most of the Burmecians should have already been evacuating to Cleyra during that point.

0:00 Tot "This is Gargan Roo, an ancient travel route between Treno and Alexandria." Marcus "Why was this thing built under a tower?" Tot "Actually, Gargan Roo was in use long before even the invention of airships!" "The tower was built on top of the disguised tunnel." But aren't the tunnels full of Mist, making them dangerous? Why would something like this be in use? Skipping ahead, mostly just lever pulling filler and padding. [Dagger and Marcus step into the gargant seats] Tot "Please look after the princess, Master Steiner." Steiner "Of course!" Tot "The princess is bright, but she is still young and naive. I am concerned about her safety." "Please make your own decision on the matter at hand and protect her." A bit too late for all that, Tot… Since you are willingly sending her back into clear danger in Alexandria like an idiot, the same castle that you yourself left. (For never explained reasons) Steiner "I am but a humble knight. I cannot exceed my authority..." Tot "Is that an honest answer?" "You may endanger the princess if you keep telling yourself that." OH. MY. GOD. LOOK IN A FREAKING MIRROR, TOT! You, yourself, are already endangering Dagger by agreeing to this whole stupid plan. 1:35 How do Garnet and Vivi ride the Gargant with Zidane?

"I don't know you. You must leave..."

FFVIII is one of the strangest games I've ever played. I've been playing it ever since it was released, and I have fond memories of that game, but I still don't know if I like it or not. No other game has managed to do the same.

Here's Kuja's true theme. Behind his flowery words and flamboyant exterior is the heart of a monster. When this song is first heard, you know who the true villain of the war Alexandria wages, and he will stop at nothing to achieve his goals, even defying the words of his own creator to do so. Kuja's third and final theme awaits, and with it, my all time favorite non-Final Boss theme.

通常戦闘でこれってレベル高すぎ。

0:40 Dagger "Steiner?" [Steiner walks in] Steiner "Yes, Princess!" Dagger "Um..." "I'd like to find Zidane and talk to him..." Steiner "Princess, you have more important matters at hand!" "You live in a different world now!" I don't see how that is stopping Garnet from having Zidane brought to the castle since she is in charge now. [The door to the room opens, and Doctor Tot walks in] Tot "O-Oh. What's happening here?" "Princess, it is time for you to get changed." [Tot walks in. Beatrix is at the doorway] "General Beatrix, will you help her?" Beatrix "Yes, sir!" Tot "Oh, there is something I must give you, Princess." [He lifts his hand; she takes something from him] [Received Opal!] [Received Topaz!] [Received Amethyst!] Tot "Those stones contain your power, which Queen Brahne forcibly..." "Well, that is all in the past..." Yeah well, Brahne taking the Eidolons only happened in the first place partially because of you stupidly agreeing to Dagger's dumb "go home and just talk with mom" plan and allowing her on the Gargant ride going to Alexandria to get herself captured, Tot. I refer back to what I said before about how Tot should have known about Kuja and should have been working with Cid. Also, where were those summon stones anyways? Did Brahne keep them in her robes and were retrieved from her corpse? And what happened to the Dark Matter? Only the items containing Shiva, Ifrit and Atomos are here while the Dark Matter containing Odin is found at the Auction House in Treno for some reason. This is also where the game shoves a bunch of summons at you all at once with Garnet (Leviathan, Shiva, Ifrit, Atomos and Odin) that requires a lot of grinding with AP (Ability Points) to master them to keep them in your move set, and what's worse is that happens all during Dagger's mute wangst and "FAILED, DAGGER COULDN'T CONCENTRATE" segment. [Beatrix walks towards Steiner and Dagger. Tot walks to the door] Tot "Master Steiner...?" [Steiner turns to face him] "Master Steiner, do you intend to stay here and watch?" Steiner "N-No, I am not..." "E-Excuse me!" [Steiner and Tot leave] Dagger "Beatrix..." "I'd like to see Zidane... Please?" Beatrix "Now may not be a good time." Dagger "Even you agree with Steiner." Beatrix "Your Highness..." Dagger "I know... It's okay." Seriously?! You are the queen now! What is stopping you from ordering Zidane to be allowed into the Castle and to be with him?!

0:00 Garnet "Doctor Tot!" Tot "Ah, Princess!" Garnet "Were you reading big book again?" Tot "Ha ha ha... I've already read every book in this library." "But I think better when I'm surrounded by old books." Garnet "Really? I don't like books." Tot "You are a person of dignity. It is imperative that you study hard." Garnet "I know, I know... Oh, but I was quite taken by that book you gave me." "What is it called? It was..." Tot "Was it 'I Want to Be Your Canary,' by Lord Avon?" Garnet "Oh yes, that's the one! So there is a book I like after all." See here? Once again, emphasis is being put on 'I want to be Canary' and its author, like that story and this repeatedly mentioned Lord Avon character are really significant, but none of it ultimately factors into the main story and lore. (I refer the readers back to my previous comment in the play themes about how 'I Want to Be Your Canary' should have been huge foreshadowing for IX's plot and a magnificent reflection of Zidane's and Garnet's love story, and yet it barely was) The only thing that book loosely connects to is Zidane and Garnet, which is ironic considering that it is now being brought up during the point where Garnet has left Zidane in the gutter, going back to my point about how that book/play has a better love story than the actual love story, because I'm pretty sure that story's main couple didn't poison and blow off each other. Why is Garnet even so taken in by that book, because she is a huge romantic? The game doesn't really convey that well, especially with how she treats Zidane for most of it. Tot "My, my." Garnet "What's this, Doctor Tot?" Tot 'That is a globe of Gaia. It's a model of our planet." Garnet "A Gaia globe? I never knew our castle was shaped like a sphere." Tot "Ha ha ha... We live on the surface, Princess." Garnet "?" Okay I know that Garnet is supposed to be just a child in this flashback, but Garnet is actually from a whole other continent, from Madain Sari, which she left when she was six (And keep in mind that Eiko is that same age when we meet her and even she doesn't demonstrate the same level of ridiculous naïvety and obliviousness that Garnet does), yet she thinks that the castle is "the whole world"? Yes, she has amnesia (the dumb inconvenient kind), but her subconscious should be triggered by discussions like this. She has repeated dreams of when she left Madain Sari when it was being devastated, like we see in the game's opening. She even subconsciously knows the "Melodies of Life" song that she sings repeatedly like we saw in Lindblum and Dali. Yet nothing about this discussion of the globe and places outside the castle is triggering anything in Garnet's mind and memories? Tot "Ah, yes, the stars! They inspired the theories relating stones and eidolons." "That is why..." "Oh! I'm sorry, I was lost in thought again." Also this, Tot is talking clearly about Eidolons. These words about Summoners and Eidolons isn't jogging anything for Garnet?

1:05 Kuja "Oh, how I've longed for this day." "...the day I might finally cast away this mask to reveal my true self." Why do you think that this is the day? What makes you think that Brahne is going to suddenly attack you, you who has been helping her this whole time? (She does attack him, but it's stupid, which I will be explaining soon this chapter) Isn't that counterproductive to your plan? (I will be explaining that fully when Kuja tries to get Alexander on Disk 3) Also, stop trying to pretend that you are a master planning genius, Kuja. The only reason that everything has been going your way so far has been due to plot contrivances like Dagger being an idiot and running back to Alexandria to basically give you and Brahne the Eidolons (in which that required no effort and manipulation from you) and Tot and Cid not suspecting about Kuja way sooner. Kuja "Now it no longer matters if the Iifa Tree is liberated! It means nothing to me!" "Mwahaha... The tree is so beautiful! Its beauty becomes the great mother tree that lives among the stars!" "Silver Dragon, let us watch the drama unfold from the trunk of Iifa. No one shall interrupt us there." There goes Kuja's embarrassing attempts at poetry again. Also, what do you mean by "liberated"? Are you referring to the barrier put on the Iifa Tree by Carbuncle? So you did know about that? This just goes back to my question a few chapters ago about how did Kuja meet the Soul Cage before and how the Soul Cage knew about Kuja making Black Mages if there was a barrier around the tree preventing access this whole time? 1:45 Kuja "Welcome to my humble abode." Zidane "Just cut to the chase and tell me what the hell you want!" Kuja "My, we're upset, aren't we? Well, this is your errand..." "I want you to go somewhere and bring something back for me." Zidane "So, tell me what it is already, you demon!" Kuja "I'd watch my mouth if I were you." "Surely, you haven't forgotten that I hold your friends' lives in my hands." Why can't some of the characters just go Trance or Garnet and Eiko can summon Eidolons to bust out of the cells? This is as stupid as in the original FFVII when the party is rescuing Aerith from the Shinra Building and they get easily captured just because the Turks, Rude and Tseng, sneak up behind them in the elevator and tell them to "push up" and the party just GIVES UP, despite fighting off Turks like Reno before and big battle robots. Not to mention that they had no problem fighting in the elevator later when it was against some Shinra machines. Thankfully, the VII Remake removed that stupid scene. Zidane "Grr!" Kuja "I'm going to send you to a place called Oeilvert." Zidane "Where's that?" Kuja "Oeilvert is south of the Seaways Canyon on the Forgotten Continent." "It really isn't my kind of place." The cretinism continues. Kuja, who said on the first disc that Zidane could become a problem, sends him to a place where only Zidane can find out the details of the plot about Terra. He stupidly informs his main opponent just like that, when he could send someone like Steiner to Oeilvert, who would easily do this for the sake of the princess. Zidane "What do you mean by that?" Kuja "You see, there's an anti-magic barrier around that place." "And I want to send you because you're too stupid to use magic." Uh, several of the characters can use magic, Kuja. Especially Vivi, Eiko and Garnet. Stop talking out your ass. Actually, why can't Zidane use magic? He is supposed to be a superior version of Kuja who uses powerful magic, yet Zidane can't? Also how is there still an anti-magic barrier around Oeilvert? Shouldn't the technology generating that barrier have worn out and broken down by now (along with the other tech) considering that place has been vacant for a long time with no one to keep it renovated?

ExDeath's Burst Theme

0:00 Let's compare the ending of FFIX's Disk 1, with that of VII's and VIII's: In VII, Disk 1 ended with Aerith's death and Cloud tragically laying her body to rest in the pond of the Ancient Capital in one of the FF series most emotional and tear jerking scenes. In FFVIII, Disk 1 ended with Edea impaling Squall with an ice shard with Rinoa crying out in shock and anguish as the screen dramatically zooms out in what is a pretty tense closing scene. The difference, is that both VII's and VIII's Disk 1 one endings had emphasis on the love stories with a lot of emotion and drama (though VII had more of a love triangle), while with IX's Disk 1 ending all we get is an FMV wanking Kuja and him flaunting his man-thong. ( Men do not have such waistlines like Kuja's, btw) We don't get a dramatic and emotional Disk 1 ending scene with Zidane and Garnet like what the previous games did, and it's all because Garnet abandoned Zidane and causing everything to go wrong, and we are going to see it all get worse on Disk 2, brace yourselves. Thank you for ruining the Disk 1 ending, along with the rest of the game, Dagger.

Gargan Roo can bite me. Great song though.

This is the problem with Kuja, he spends most of the game being a moustache twirling cartoon villain, doing stereotypical cartoon evil behaviour and generic JRPG stuff, but then, at the last minute, the game forcefully tries to make him out to be "complex, tragic and sympathetic". Instead of drawing inspiration from a Shakespearian antagonist, Square apparently decided to base Kuja on the attention-whoring snots who get rejected at their auditions to play Shakespearian antagonists. Overlooking the man-thong, the effeminate hair tosses, the mincing, the temper tantrums, and the embarrassing attempts at poetry, there just isn't much going on with this guy. He's like that one insufferable drama whore you knew back in high school: he always has to be the centre of attention, he never shuts the hell up even when he has nothing worth saying, and even when doing something immoral, he acts like he's standing in front of a full-body mirror and practicing for his role as Scar in the spring semester production of 'The Lion King'. His only real interesting moments occur when he's ripping off of 'Blade Runner' and is revealed as Zidane's brother. But, as said above, that happens so late and forcefully into the game that you wonder why they even bothered (It's like the revelation that Lynx was Serge's father in Chrono Cross). But I will address that all when we get to that point. Even his theme music (which plays right here) is over the top and sounds like a generic "look at me, I'm EEEEVVVVVVIIIIIILLLLLLL *insert stereotypical evil laughter here*" music theme.

Beautiful prelude version of one of the best themes of the franchise. Can't wair until the fully realized version of this is uploaded!

これすごいな。 ミンサガはやっぱりこの曲が印象に残るよね。ここで来るのかよってｗ

Odin disliked this video.

"Oh no, he's hooot!"

'Yes it was I! My machinations lay undetected for years. For I am a master of decepti

One of the only memorable themes in FF9.

A nice spot to get White Wind from Zus, if not gotten through the much harder exit and birds at Gizamaluke's at least.

せんせええええ

この異世界感というかもうクレイラという街に合いすぎて

This lovely town getting attacked was such a twist of the knife. I'm glad there was a decent chunk of folks we could save, but MAN was it extra painful to watch Dan die after already saving him once... The fact you can buy goods from him just prior to that fate is all the more sad when you're led to assume he'll be using that to settle down later. I hope the remake doesn't just make us watch and he CAN be saved, there's enough meanspirited moments in the story as is. And bah, if there was ANY spot to make Beatrix flinch, it should have been here... The bonus treasure sidequest with Quina by the antlion hole was nice, I guess.